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Frans Hals
aletta hanemans
1625
the hague, mauritshuis
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Frans Hals
Marriage Portrait of Isaac Massa en Beatrix van der Laen
ca. 1622(1622) (1621-1623)
Oil on canvas
140 ?? 166.5 cm (55.12 ?? 65.55 in)
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Frans Hals
Portrat eines jungen Paares, Detail
1622
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Frans Hals
den leende kavaljeren
1624
se
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Frans Hals
zigenerskan
1625
se
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Frans Hals
officerarna
1627
se
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Frans Hals
hille bobbe
1655
se
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Frans Hals
The merry drinker
Technique Oil on canvas
Dimensions 81 ?? 66.5 cm
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Frans Hals
Alternate title
Technique Oil on canvas
Dimensions 80 ?? 67 cm
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Frans Hals
daniel van aken
olja på duk 67x57
se
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Frans Hals
mansportratt
olja pa duk 66.5x78.5cm
1639-50
se
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Frans Hals
mansportratt
olja pa duk 78.7x107.5cm
1947
se
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Frans Hals
Portrait of a woman
1644
Oil on canvas
75.9 x 62.5 cm (29.88 x 24.61 in)
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Frans Hals
Portrait of a Man
between 1612(1612) and 1616(1616)
Oil on canvas
73.7 X 55.2 cm (29.02 X 21.73 in)
cjr
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Frans Hals
Marriage Portrait of Isaac Massa en Beatrix van der Laen
Date ca. 1622(1622) (1621-1623)
Medium Oil on canvas
Dimensions 140 X 166.5 cm (55.12 X 65.55 in)
cyf
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Frans Hals
An Old Lady
"An Old Lady," oil on canvas, by the Dutch artist Frans Hals. 29 in. x 23 1/4 in. Yale University Art Gallery, Gift of Mrs. Lynde Selden. Courtesy of Yale University, New Haven, Conn.
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Frans Hals
De Heer Bodolphe
"De Heer Bodolphe," oil on canvas, by the Dutch artist Frans Hals. 48 3/16 in. x 38 3/8 in. Yale University Art Gallery, bequest of Stephen Carlton Clark, B.A. 1903. Courtesy of Yale University, New Haven, Conn.
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Frans Hals
Portrait of a woman
Date 1644
Medium Oil on canvas
Dimensions 75.9 X 62.5 cm (29.88 X 24.61 in)
cyf
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Frans Hals
Portrait of a Man
Date between 1612(1612) and 1616(1616)
Medium Oil on canvas
Dimensions 73.7 X 55.2 cm (29.02 X 21.73 in)
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Frans Hals
Joseph Coymans
Date 1644(1644)
Medium Oil on canvas
cyf
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| Frans Hals
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1580-1666
Frans Hals Galleries
In the field of group portraiture his work is equalled only by that of Rembrandt. Hals's portraits, both individual and group, have an immediacy and brilliance that bring his sitters to life in a way previously unknown in the Netherlands. This effect, achieved by strong Baroque designs and the innovative use of loose brushstrokes to depict light on form, was not to the taste of critics in the 18th century and the early 19th, when his work was characterized as lazy and unfinished. However, with the rise of Realism and, later, Impressionism, Hals was hailed as a modern painter before his time. Since then his works have always been popular.
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